Flora
Sydney
This performance honours Aunty Rhoda Roberts AO, Widjabul Wiyabul Bundjalung leader — we acknowledge her wisdom, vision and unwavering advocacy that has shaped the very heart of Australia's cultural life.
ACT I
Mother Seed
Deep time - the ancestral journey of the Mother Seed begins below the surface of the Earth. Creation stories unfold. Biological patterns of life evolve.
Sleeping Yams
Beneath the cracked clay lie the sleeping yams. Interconnected in their subterranean world, they listen to the footsteps of people following trade routes and connect ancestral songlines.
Lungs of Country
Plants capture energy from sunlight, converting it into oxygen and glucose which allows humans, animals and other life on Earth to survive. The air we breathe, food we eat and shelter we take is a delicate balance of ecosystems, understanding of Country, held in ancient knowledge.
Grass Keepers – Spinifex
Grasses care for the soil, provide a home for animals, resin for trade and fibers for weaving. Spinifex Grasses cover vast areas of the continent, connecting people to Country and community.
Grass Keepers - Weaving Women
Weaving and fibrecraft combines practical craftsmanship with deep cultural, spiritual and social meaning.
Hooves are Coming
Colonisation served the British Empire’s political, economic, and socio-cultural goals. Hard hooved animals and introduced plants destroy the balance of delicate ecosystems echoing how European mindsets destroyed First Nations societies.
ACT II
10 Days
Sir Joseph Banks (1743-1820) removes hundreds of species from their natural environment. Ripped from their native Story and their cultural home, Banks’ ‘discovery’ is the largest collection of its kind at the time and helps to elevate him to a position of significant prestige and influence as the British Empire expands and continues the exploitation of People, Culture and Country. The collecting of species and objects to display in museums reduces First Nations People and cultures to artifact status. *
* Flora Specimens shown in 10 Days are indicative of significance to First Nations peoples, not reflective of the original specimens collected by Joseph Banks in 1770.
Golden Wattle
Highly valued for its practical use, the natural cycles of Golden Wattle also announce seasonal changes; when the fish are breeding, when the pollinators arrive and when ants feed from the nectar. In 1912, the Federal Government appropriates the wattle for inclusion in the national coat of arms and in 1988 the ‘Green and Gold’ becomes the official floral emblem of Australia. The role of the Golden Wattle to unite and build a nation contradicts its critical significance in the lives of First Nations people and the natural world that they care for.
Repatriation
Repatriating plant species from botanical institutions restores living heritage to Country, reconnecting seeds, restoring Knowledge, and strengthening Culture.
Grass Tree Warriors
The Grass Tree holds deep cultural and spiritual significance for First Nations Peoples. Symbolising both protection and resilience, the qualities of the Grass Tree closely mirror those of First Nations warriors.
Fire Song
Fire - a vital tool for survival, a sacred force of renewal and connection to Land. Fire-stick farming altered plant distributions, encouraging fire-adapted species like eucalypts and banksias to germinate.
Bush Flowers
Australian flora underpins the personal, social, and spiritual foundations of First Nations Peoples through resilience and identity in perpetuity. This living relationship with native plants supports not just survival, but the commitment to hope, healing, and the building of a healthy and sustainable future.
Cast sheets
Select a performance
Tuesday 7 April 1.00pm
Courtney Radford
A proud Ballardong Noongar (WA)
Kallum Goolagong
A proud Wiradjuri & Darkinjung man (NSW)
Kassidy Waters
A proud Wonnarua woman (NSW)
Jye Uren
Proud Worimi & Dunghutti man (NSW)
Maddison Paluch
A proud Wiradjuri & Bundjalung woman (NSW)
Daniel Mateo
Gomeroi man as well as Tongan heritage (NSW)
Emily Flannery
A proud Wiradjuri woman (NSW)
James Boyd
Kunja & Muruwari (QLD)
Chantelle Lee Lockhart
Dharawal & Gadigal descendant (NSW)
Amberlilly Gordon
A proud Wiradjuri & Ngemba woman (NSW)
Donta Whitham
South Sea Islands descendant, Ambrym Island
Roxie Syron
A proud Biripi & Worimi woman (NSW)
Tamara Bouman
Biripi woman (NSW)
Edan Porter
A proud Gomeroi man (NSW)
Zeak Tass
A proud South Sea Islander & Yuwibara man from Mackay (QLD)
Eli Clarke
A proud Arabana & Gurindji man from Alice Springs (NT)
Brett Chynoweth
Callum Linnane
Jill Ogai
Maxim Zenin
Mason Lovegrove
Sara Andrlon
Hugo Dumapit
Adam Elmes
Lilla Harvey
Joseph Romancewicz
Montana Rubin
Elijah Trevitt
Riley Lapham
Belle Urwin
Samuel Akins
Hannah Sergi
Isabella Smith
Yaru Xu
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Conductor
Joel Bass: 7, 8, 11 (7:30pm), 14,16 and 18 (1:30pm) April
Euan Safey: 9, 10, 11 (1:30pm), 13, 15, 17 and 18 (7:30pm) April -
Concertmaster
Matthieu Arama: 7,8 (7:30pm), 10, 11, 13, 17, and 18 (1:30pm) April
Huy-Nguyen Bui: 8 (1:30pm), 9, 11 (1:30pm), 14, 15, 16 and 18 (7:30pm) April -
With artists of Opera Australia Orchestra
Flora is generously supported by Lady Potter AC CMRI and The David Hallberg Fund for Artistic Aspiration.
Your next ballet experience
Romeo and Juliet Sydney Opera House 24 April - 13 May