The Australian Ballet

10 years of magic and mayhem with Storytime Ballet

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Artists of The Australian Ballet and The Australian Ballet School, Storytime Ballet: The Sleeping Beauty (McAllister) 2024
Photo Daniel Boud

Introducing the joy of a live ballet performance to our youngest balletomanes.

Jasmin Dwyer starred in the inaugural season of David McAllister’s Storytime Ballet: The Sleeping Beauty in 2015. It was then-Executive Director, the late Libby Christie, who was inspired to make ballet for young audiences in an enchanting new format. Libby hoped the next generation would love ballet just as she had as a young child.

David McAllister adapted the three-hour-long epic The Sleeping Beauty into an interactive performance. Lasting under an hour and including an engaging narrator to guide the audience through the story, Storytime Ballet arrived.

Since 2015, four different classic ballet fairytales have been adapted in Storytime Ballet and have been performed throughout Australia to over 300,000 people, some of whom have fallen in love with ballet for the very first time.

Jasmin, who now works as the Producer of Creative Learning in The Australian Ballet’s Education and Outreach Program discusses the joy of seeing young audiences light up as they experience their first-ever ballet performance.

Storytime Ballet 2015 16 The Australian Ballet Cast photo Photography Lynette Wills 1

2015/2016 Storytime Ballet: The Sleeping Beauty cast:

Clockwise from left: Saranja Crowe, David James, Montana Rubin, Sean McGrath, David Bremner, Isobelle Dashwood, Georgia Scott-Hunter, Mason Lovegrove, Timothy Coleman, Chantelle van der Hoek, Evie Ferris and Jasmin Dwyer

It’s been 10 years since you took part in the inaugural season of Storytime Ballet, David McAllister’s The Sleeping Beauty. What was that first season like?

The first season was so much fun. Being part of the process of reimagining The Sleeping Beauty for a new audience was fascinating. There was a lot of experimentation, and it was exciting to see how decisions were made about which characters and moments to highlight in order to preserve the heart of the story while making it engaging for young audiences. Watching David and the artistic team navigate that creative process was really inspiring. I also loved playing the Queen, it gave me some wonderfully dramatic acting moments and a big ballgown to manoeuvre!

What can audiences expect from a Storytime Ballet performance?

Storytime Ballet is a wonderful introduction to ballet, full of magic, storytelling, beautiful costumes and music. The dancing is of the same calibre as the mainstage productions, just wrapped up into a bite-sized, kid-friendly package. Audiences are guided through the story by a narrator, so you will always know what is going on!

What are some of the best things about presenting Storytime Ballet?

My favourite part has always been seeing tiny audience members twirling in the aisles, copying the dancing onstage. I also love the audible gasps and spontaneous little outbursts, they bring such a fun, playful energy to the show. It’s not every ballet where the audience jumps in with their own comments and dialogue! Performing in Storytime Ballet makes you feel truly connected to the audience. You can hear their reactions, feel their joy, and see their excitement as it’s all happening.

What has been your favourite Storytime Ballet?

I absolutely loved performing in The Nutcracker. There’s so much variety in the characters and sections of the show. I had the chance to take on some fun, cheeky roles with lots of jumping and footwork, which has always been my favourite!

What was your first introduction to ballet?

I started dancing at a small studio in Newcastle when I was almost three. Apparently, it was my own idea even though no one else in my family had done ballet, so I’m not sure where the inspiration came from! The first ballet I ever saw was Swan Lake performed by The Australian Ballet, and it’s still my favourite.

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The Paper Bag Princess by Robert Munsch

If you could create a Storytime Ballet, what fairytale would you choose to base it on?

The Paper Bag Princess. A fire-breathing dragon and a clever heroine, what more do you need!

To learn more about The Australian Ballet’s Education and Outreach program

Education and Outreach