
Brett Simon and artists of The Australian Ballet. Photography Daniel Boud
As von Rothbart enters the court, the whole room transforms; its chilly marbles and monolithic eagles peel back to reveal a come-hither, Wonderland-ish hall glowing with candles and thronged with sensual statues. Suddenly, we're somewhere else: the magician's dangerously alluring realm. Baynes' designer, Hugh Colman, says, “von Rothbart seduces everybody. He casts an erotic spell on the whole court.”