The Australian Ballet

A royal adventure

ROH

After 35 years away, The Australian Ballet is delighted to bring George Balanchine’s masterpiece, Jewels, to the Royal Opera House. As the company celebrates their 60th anniversary season, we ask Artistic Director David Hallberg what he’s most looking forward to about the London tour.

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Maina Gielgud presenting David McAllister and Elizabeth Toohey to Her Majesty Queen Elizabeth II, while Colin Peasley looks on, after a performance of The Sleeping Beauty, Covent Garden, England, 1988.
Photo Desmond O’Neill

The Australian Ballet returning to the Royal Opera House stage for the first time in 35 years

The Australian Ballet last performed at the Royal Opera House in 1988 in a spectacular event for Her Majesty Queen Elizabeth II under the artistic direction of Maina Gielgud. The program featured Steven Heathcote, Elizabeth Toohey and David McAllister in The Sleeping Beauty as part of the company’s bicentennial celebrations.

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David Hallberg during rehearsals for Don Quixote (Nureyev), 2023
Photo Mariam Medvedeva

His first international tour as Artistic Director

Appointed as Artistic Director in 2021, David Hallberg is finally able to facilitate the company’s return to international touring, the first since the pandemic that closed theatres across the world.

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Maxim Zenin and Imogen Chapmam, Jewels (Balanchine), 2023
Photo Rainee Lantry

The dancers interpreting the nuances of each ‘Jewel’

The Australian Ballet premiered George Balanchine’s Jewels in Sydney and Melbourne in 2023. As the first time being entrusted with a work of this magnitude, the dancers have shown the depth of their talent with their personalised to approach to the work.

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David Hallberg and Natalia Osipova, Romeo and Juliet (MacMillan) 2019,
Photo Andrej Uspenskie ROH

Returning to the stage that he last danced on as a dancer.

In 2020, after a season as a guest artist in The Sleeping Beauty alongside Natalia Osipova, David Hallberg was in rehearsals for Swan Lake. It was at this moment that the world unexpectedly locked down, turning theatre’s dark and signifying his unintentional retirement as an international dancer.

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Dame Peggy van Praagh with artists of The Australian Ballet in The Lady and the Fool (Cranko), 1962
Photo Advertiser Newspapers Limited

Celebrating the company's 60th anniversary in the theatre where its founding Director, Dame Peggy van Praagh, came from.

British born Dame Peggy van Praagh’s dancing career began at age four in London, and by age six she had received her first positive press review. “Peggy is only six, but she is quite a clever little artiste and is booked again for Saturday's matinee by request.” Van Praagh was The Australian Ballet’s Artistic Director from the company’s inception in 1962 to 1974, returning to direct again in 1978.

“The Royal Opera House was a special place for me during my career as a dancer and I am so excited to bring The Australian Ballet back to this storied theatre after an absence of 35 years, reinforcing the company’s reputation for excellence on the world stage.” — David Hall­berg

For the full London program and to book tickets.

London Tour: Jewels and 60th Anniversary Celebration
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David Hallberg during rehearsals for Don Quixote (Nureyev), 2023
Photo Mariam Medvedeva

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Dame Peggy van Praagh with artists of The Australian Ballet in The Lady and the Fool (Cranko), 1962
Photo Advertiser Newspapers Limited

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The Australian Ballet company prior to first overseas tour at the East Melbourne studio, 1965
Photo William Baxter

Romeo and Juliet David Hallberg and Natalia Osipova ROH 2019 Photographed by Helen Maybanks 2 min 1170x600 1

David Hallberg and Natalia Osipova, Romeo and Juliet (MacMillan) 2019,
Photo Andrej Uspenskie ROH

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Maxim Zenin and Imogen Chapmam, Jewels (Balanchine), 2023
Photo Rainee Lantry

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Artists of The Australian Ballet during the 1992 international tour.
Photo Unknown

01 COPYRIGHT DESMOND ONEILL UK 1

Maina Gielgud presenting David McAllister and Elizabeth Toohey to Her Majesty Queen Elizabeth II, while Colin Peasley looks on, after a performance of The Sleeping Beauty, Covent Garden, England, 1988.
Photo Desmond O’Neill

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Christine Walsh, John Lanchbery, Maina Gielgud and David Ashmole in the curtain call for The Sleeping Beauty, Covent Garden, England, 1988.
Photo Unknown

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Her Majesty Queen Elizabeth II meets Lady Potter while Sir Robert Southey, Lady Southey and Sir Ian Potter look on, Covent Garden, England, 1988.
Photo Desmond O’Neill

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Maina Gielgud introduces David McAllister and Miranda Coney to Diana, Princess of Wales, after a performance of Coppélia in London, England, 1992.
Photo Ronald G Pell