“High above the city, on a tall column, stood the statue of the Happy Prince…”
In Oscar Wilde's lyrical story, a prince who has lived a carefree life behind his palace walls becomes a magnificent golden statue. From his new vantage point he can see his subjects for the first time, and realises that his city is full of poverty and sadness. Awoken to compassion, he begs his friend the Swallow to take the gold and precious jewels from his statue, fly down into the city and give them to the poor. After a series of colourful adventures, the selfless Prince and the loyal Swallow end up with nothing, but eventually find bliss.
In 2020 Graeme Murphy, who created The Australian Ballet’s acclaimed modern interpretations of Swan Lake and The Nutcracker, turns his flair for transformative storytelling to Wilde’s moving tale.
Murphy's distinctive choreographic style will animate the golden Prince, his sassy friend the Swallow and the seductive Reed – and will bring a particularly Aussie flavour to Wilde's happy ending.
This all-Australian premiere will feature a specially commissioned score from the renowned composer Christopher Gordon, who wrote the scores for the films Mao’s Last Dancer and Master and Commander, alongside the work of award-winning artist and director Kim Carpenter, who adapted the story and created the vibrant design for the ballet.
Playful and poignant, The Happy Prince will capture children’s imagination with its vivid spectacle and adults’ attention with its timely message: a kind heart shines brighter than gold.
Australia’s most brilliant choreographer ... we’ve always basked in the light he casts.The Daily Telegraph
Kim Carpenter's bright designs fit on the dancers' bodies like illustrations made real.Callum Linnane. Photography Kate Longley / Designs by Kim Carpenter
Based on the story by Oscar Wilde
Adapted by Kim Carpenter and Graeme Murphy
Choreography Graeme Murphy
Creative Associate Janet Vernon
Composer Christopher Gordon
Set and costume design Kim Carpenter
Lighting design Damien Cooper
Projection design Fabian Astore
With Queensland Symphony Orchestra, Orchestra Victoria and Opera Australian Orchestra
The Happy Prince is generously supported by The Robert and Elizabeth Albert Music Fund and The Dame Margaret Scott Fund for Choreographers.
We thank Kim Carpenter’s Theatre of Image for supporting the creation of The Happy Prince.
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Murphy constantly surprises, not just choreographically but also in the way he manipulates classic storiesThe Sydney Morning Herald