
Sharni Spencer
Photo Simon Eeles
3 - 18 May 2024
2 - 9 October 2024
Sydney
3 - 18 May 2024
Joan Sutherland Theatre, Sydney Opera House / Tubowgule
Friday
3 May 2024
7.30pm
Good availabilitySaturday
4 May 2024
1.30pm
Good availabilitySaturday
4 May 2024
7.30pm
Good availabilityMonday
6 May 2024
6.30pm
Good availabilityTuesday
7 May 2024
7.30pm
Good availabilityWednesday
8 May 2024
7.30pm
Good availabilityThursday
9 May 2024
7.30pm
Good availabilityFriday
10 May 2024
7.30pm
Good availabilitySaturday
11 May 2024
1.30pm
Good availabilitySaturday
11 May 2024
7.30pm
Good availabilityMonday
13 May 2024
7.30pm
Good availabilityTuesday
14 May 2024
7.30pm
Good availabilityWednesday
15 May 2024
1.30pm
Good availabilityWednesday
15 May 2024
7.30pm
Good availabilityThursday
16 May 2024
7.30pm
Good availabilityFriday
17 May 2024
7.30pm
Good availabilitySaturday
18 May 2024
1.30pm
Good availabilitySaturday
18 May 2024
7.30pm
Good availabilityMelbourne
2 - 9 October 2024
Regent Theatre, Melbourne/ Wurundjeri Woi-Wurrung Country
In an entrancing double bill that encompasses varying styles of dance, we are delighted to be presenting Études, a beloved classic that shows you the complexity of ballet technique, alongside a spectacular new contemporary commission, Circle Electric by Stephanie Lake. These two works demonstrate the preparation and dedication of ballet dancers as they advance from the studio to the stage in a thrilling display of talent and emotion.
Sharni Spencer
Photo Simon Eeles
Callum Linnane
Photo Simon Eeles
Études
Études, French for ‘studies’, takes the dancer’s morning ritual of ballet class and transforms it for the stage. Designed to gradually warm up muscles and align the body for rehearsals and performance, the classical ballet class follows a standard order of exercises that start small and gradually get bigger and more complex. These same movements, even the smallest pliés and tendus, are the building blocks from which classical ballets are constructed. Études illuminates these classroom exercises, demonstrating how these simple steps can become a fabulous showpiece of physical art.
Choreographed by Harald Lander in 1948 for the Royal Danish Ballet, this one-act ballet is set to piano studies by Carl Czerny, arranged by Knudåge Riisager. Emulating the ballet studio experience, the dancers perform precise exercises at the barre, which become more expansive as they move into the centre, and develop into a grand finale of full-velocity movement in perfect synchronisation. Complemented by spectacular new costumes from Lise Lander, Études will transform you to the inner world of the dance studio with its beauty, grace and immaculate movement.
Circle Electric
Using the full
force of The Australian Ballet's dancers, Circle Electric starts as a
microscopic investigation of the intricate and the intimate, ultimately
expanding to encompass a telescopic view of humanity.
Grappling with the search for meaning, Stephanie Lake in her first full length commission for The Australian Ballet, looks at a fundamental paradox of our existence – how we can be both utterly insignificant and profoundly important at the same time.
Zoom out far enough,
and you will see humanity as nothing more than scuttling ants, existing on a
perfectly placed planet in an immense cosmos of billions of galaxies. But zoom
in and you see that despite our relative minuteness and the brevity of our time
on Earth, each person is unique and valuable.
Working with her
largest cast to date, Lake creates rhythms and patterns to composer Robin Fox’s
unique score, which blends live orchestra with his signature electro-acoustic
sound worlds, and reunites with the design team behind her hit piece Manifesto.
“Études is classicism at its most demanding. The precision and exactitude of the choreography doesn't allow for fault. This is a ballet that dancers dream of performing. Returning to its rightful place in The Australian Ballet’s repertoire after an absence of ten years, Études will excite audiences once again.”
“Stephanie Lake has proven herself to be one of the most exciting Australian choreographers creating today. Her unique style and her use of movement, music and patterns have the dancers hungrily taking on her bold sense of choreography. Stephanie’s artistic energy emanates from her vision, bringing the audience pulsing along on her rollercoaster ride of dance.”
Samara Merrick
Photo Simon Eeles
Samara Merrick and Maxim Zenin
Photo Simon Eeles
Sandra Andrlon, Maxim Zenin, Lilla Harvey, Cameron Holmes, Samara Merrick, Hugo Dumapit
Photo Peter Foster
Maxim Zenin, Samara Merrick
Photo Peter Foster
Cameron Holmes, Maxim Zenin, Hugo Dumapit
Photo Peter Foster
Samara Merrick, Sara Andrlon
Photo Peter Foster
Samara Merrick, Maxim Zenin
Photo Peter Foster
Sandra Andrlon, Maxim Zenin, Lilla Harvey, Cameron Holmes, Samara Merrick, Hugo Dumapit
Photo Peter Foster
Maxim Zenin, Samara Merrick
Photo Peter Foster
Cameron Holmes, Maxim Zenin, Hugo Dumapit
Photo Peter Foster
Samara Merrick, Sara Andrlon
Photo Peter Foster
Samara Merrick, Maxim Zenin
Photo Peter Foster
Choreography Harald Lander by special permission of Lise Lander
Music Knudåge Riisager after Carl Czerny
Designs Lise Lander
Choreography Stephanie Lake
Music Robin Fox
Costume design Paula Levis
Set design Charles Davis
Lighting design Bosco Shaw
Melbourne
With Orchestra Victoria
Sydney
With Opera Australia Orchestra
Sign up for the waitlist to be the first to know when single tickets for Études / Circle Electric go on sale.